Showing posts with label Milwaukee Film Festival. Show all posts
Showing posts with label Milwaukee Film Festival. Show all posts

Sunday, August 7, 2011

Wisonsin State Fair?

This is an open letter to Jim Stingl of the Milwaukee Journal regarding his Sunday, August 7th opinion column: http://www.jsonline.com/news/milwaukee/127077078.html

Mr. Stingl,

The recent events at Mayfair, Riverwest and State Fair can be construed as a cry for help or a call to arms, but it should not be dismissed as "wilding" youths who should be put down with extreme prejudice.

Ignore the root cause of these escalating public eruptions at your own risk.

I have heard so many funny, contradictory and simply wrong-headed things in the aftermath of this incident. To those people who pronounced they would not be attending the State Fair - now is the safest time to go. To Police Chief Flynn who "beefed" up police presence at African World Festival, thank you but it was not necessary - for the second year in a row, African World Festival was the chillest location in Milwaukee - although all the officers I encountered seemed to be having a good time.

Take Knuckle-headed Alds. Bob Donovon and Joe Dudzik (please!) - Tweedledum and Tweedledummer - who had the unmitigated gall to opine in a joint statement "Let's face it, it also has much to do with a deteriorating African-American culture in our city. Are large groups of Hispanics or Hmong going out in large mobs and viciously attacking whites? No."

To which I respond, give Hispanics and Hmongs fifty years of the treatment African-Americans have suffered in this city and they will be "wilding," too. (Funny thing: whites don't tend to flee when Hispanics and Hmongs move into their neighborhoods. Could it be the hair?)

I challenge any race to endure generations of poverty and lack of job opportunity - and by that I mean constant rejection for any the most menial of positions and not be just a little bit perturbed. During the Reagan Depression, I was unemployed for two-and-a-half years and - despite being a high school honors student with five years of work experience - I could not find a job at a car wash. So, imagine, if you will, what is a high school drop-out with no work experience is up against.

What are we, as a people, to make of studies done all over the country where blind tests prove employers are more likely to hire a white ex-con than a black college graduate http://millionsforreparations.org/wessel.html? Where does that put your prospects if you are a black high school drop-out or a black ex-con? How do you pull yourself up by your bootstraps if you don't have any boots?

I constantly tell my children - both on academic scholarship at the University of Wisconsin-Madison and both graduates of Milwaukee Public High Schools - that the only difference between poor, uneducated black people and poor, uneducated white people, is that poor, uneducated white people have jobs (the same apparently applies to Hispanics and Hmongs).

We are currently being governed by the evil spawn of those who fled, politicians inbred in Waukesha and Washington Counties. These elected officials, who have only second-hand - and tainted - knowledge of Wisconsin's inner cities, believe in a "get tough" stance that not only hasn't solved the problem, it hasn't contained it. And, mark my words, it will spread further.

If those marauding youths did nothing else on a steamy Thursday night in West Allis, Wisconsin, they made you look. Unfortunately, they could not make you see.

~(no)rave!

Tuesday, September 29, 2009

Straight with The Chaser

Day five of the Milwaukee Film Festival.

The Chaser (
Chugyeogja), Hong Jin-Na's dark hued meditation on corruption and redemption hones in on Young-min Jee (an excellent Jung-woo Ha), former dirty cop and current amoral pimp, with little discernable distinction between the two, over the course of one long and hellish night.

Jee is in a pickle. He is late with his payment to his over-bosses while concurrently experiencing a cash flow problem caused by an inconvenient shrinkage in his stable of available call girls. Jee believes his girls are skipping town, while still owing him money, or are being snatched and sold to other pimps. He inadvertently discovers something much more terrible is going on when his bottom girl, Mi-jinn Kim (a heart-breaking performance by Yeong-hie Seo), goes missing after he forces her out of her sick bed, away from her seven year-old daughter and into the arms of a serial killer.

The Chaser exists in a cruel, god forsaken world where evil preens in all its permutations and goodness is snuffed out at every turn. It is a grim, rain soaked place, a brutal maze of tight, rabbit-warren neighborhoods where human bunnies hop, fornicate, fight, fart, fling feces - and get felleted alive.

A kinetic, edge-of-your-seat thriller that dredges deep into the heart of the darkness of Seoul, The Chaser is must see film noir that cements South Korea place on the world cinematic map.

~rave!

Saturday, September 26, 2009

Azur and Asmar: the Prince's Quest

This afternoon I took advantage of an opportunity to see Azur &
Asmar: the Prince's Quest
on the big screen. Apparently, the
gorgeously rendered 3D computer animated movie with two-
dimensional, painted backgrounds and non-photo realistic rendering
has not been wildly distributed because a female character's nipples
are visible during an early breastfeeding scene.

(I admit I was initially started - but not shocked and saddened -
to see realistically rendered nipples on a brown woman's chest in
an animated movie - America is a very young country).

I was lucky to see this feature on the big screen thanks to the on-
going Milwaukee Film Festival. If you get the opportunity, run,
do not walk, to see it.

The elaborate and beautiful vistas presented in this movie are
extraordinary and the dark-haired, brown-eyed Asmar (and
his mother) are as beautifully rendered as the blonde, blue-eyed
Azur. Further, it is a captivating and engaging tale reminiscent of
1001 Arabian Nights.

I highly recommend it.

~rave!

Friday, September 25, 2009

Milwaukee Film Festival - Modus Operandi

Went to see Modus Operandi tonight on the second night of the
inaugural Milwaukee Film Festival. The screening was held at the
Oriental Theater, the last remaining local movie emporium. The
cavernous theater has been converted into a two-plex, but they
have retained the ornate rococo charm of the main auditorium
which is chocked full of "oriental" kitsch - including a trio of
Buddhas, each in its own illuminated cove, on either side of the
theater and, oddly, several replicas of the mechanical woman from
Fritz Lang's Metropolis.

Modus Operandi was sold as "Sexy women, CIA agents, spies,
villains and femme fatales populate this blaxploitation-meets-art-
house story of revenge, which follows a retired C.I.A. agent deter-
mined to find his wife's murderer." Which is all true, but the whole
enterprise is so ineptly and indulgently executed that it is truly
painful to watch.

The only thing worse than the writing,directing and editing (all
by Frankie Latina, a jack of all trades and the master of none) is
the acting.

(Mr. Latina was in the theater to introduce the movie and to bask
in pre-movie applause. One of us had presence of mind to be
embarrassed, afterwards).

Watching Modus Operandi is like watching one of Andy Sedaris'
randomly brutal bikini movies without the former Playboy
Playmates - or the production values.

Watching Modus Operandi is like watching one of Russ Meyer's
aimlessly messy non-sequitor movies - without the bodacious ta-tas
(you can forgive a lot with bodacious ta-tas - witness the whole Pam
Grier oeuvre).

In other words, Modus Operandi has nothing to recommend it. Not
even the great Danny Trejo who is given precious little to do before
ending the movie by taking out a bad guy with a corkscrew to the
eye. By the time the interminable 77 minute movie ended, I wanted
to corkscrew my eyes out, too.

~(no) rave!